• Chorus From "Judas Maccabaeus"  For 1-3 violas, Composed by George Frideric Handel
• Musette  Composed by Johann Sebastian Bach
• Bourree  Composed by George Frideric Handel
• Minuet In G  Composed by Ludwig Van Beethoven
• Gavotte  Composed by P. Martini
• Minuet  Composed by Johann Sebastian Bach

• Allegretto (Shinichi Suzuki)  
• Allegro (Shinichi Suzuki)  
• Andantino (Shinichi Suzuki)  
• Etude (Shinichi Suzuki)  
• Go Tell Aunt Rhody (Folk Song)  
• Long, Long Ago (T.H. Bayly)  
• May Song (Folk Song)  
• Minuet No. 1, Minuet III from Suite in G Minor for Klavier, BWV 822 (J.S. Bach)  
• Minuet No. 2, Minuet, BWV Anh. II 116 from Notebook for Anna Magdalena Bach (J.S. Bach). 
• O Come, Little Children (Folk Song)  
• Perpetual Motion (Shinichi Suzuki)  
• Song of the Wind (Folk Song)  
• Lightly Row (Folk Song)  

Composed by Jean-Baptiste Accolay (1845-1910). Edited by O Schill. Arranged by Otto K. Schill. String Solo. Classical Period. Set of performance parts (includes separate pull out part for violin). With solo part and piano reduction. 20 pages. Published by G. Schirmer (HL50256870).

 The "prequel" to Barbara Barber's widely-used Scales for Advanced Violists is here! Scales for Young Violinists is a user-friendly scale system which presents two-octave major, melodic minor, and harmonic minor scales with arpeggios. The first five Foundation Keys (C, D, E, F, G) introduce beginning double-stops in octaves, 3rds, and 6ths, remaining in first position. One-octave scales in double-stop octaves, 3rds, 6ths, and harmonics are presented in all twelve keys. Preparatory shifting exercises, bowing and rhythmic variants, a helpful circle of 5ths, and progress chart make this the perfect beginning scale book for every viola student.

Alfred and Highland/Etling are taking a brand-new approach to string instruction that promises to grab and hold every student's attention---String Explorer! Join the adventures of Arco Dakota and Rosalyn Le Bow as they guide your students along the path to successful string playing with the most exciting, yet systematic and logically sequenced instruction of its kind. Works well in group or classroom settings and can be played with String Explorer Volume 2 for Viola, Cello and Bass.

Alfred and Highland/Etling are taking a brand-new approach to string instruction that promises to grab and hold every student's attention---String Explorer! Join the adventures of Arco Dakota and Rosalyn Le Bow as they guide your students along the path to successful string playing with the most exciting, yet systematic and logically sequenced instruction of its kind. Works well in group or classroom settings and can be played with String Explorer Volume 1 for Viola, Cello and Bass.

Alfred and Highland/Etling are taking a brand-new approach to string instruction that promises to grab and hold every student's attention---String Explorer! Join the adventures of Arco Dakota and Rosalyn Le Bow as they guide your students along the path to successful string playing with the most exciting, yet systematic and logically sequenced instruction of its kind. Works well in group or classroom settings and can be played with String Explorer Volume 2 for Violin, Cello and Bass.

Alfred and Highland/Etling are taking a brand-new approach to string instruction that promises to grab and hold every student's attention---String Explorer! Join the adventures of Arco Dakota and Rosalyn Le Bow as they guide your students along the path to successful string playing with the most exciting, yet systematic and logically sequenced instruction of its kind. Works well in group or classroom settings and can be played with String Explorer Volume 1 for Violin, Cello and Bass.

Beautiful Music for Two String Instruments, for 2 violas, by Samuel Applebaum. Both parts on the same page. Published by Belwin Mills.

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violas will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music-making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. they may be played by two performers, or by multiple performers on each part, with or without piano accompaniment. 

Beautiful Music for Two String Instruments, for 2 violas, by Samuel Applebaum. Both parts on the same page. Published by Belwin Mills.

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violas will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music-making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. they may be played by two performers, or by multiple performers on each part, with or without piano accompaniment. 

Theory Workbooks 1 and 2 are correlated with the All for Strings method books and are suitable for classroom or individual use. Each page features exercises and games which encompass music fundamentals introduced in the method books. Students start by learning the piano keyboard to increase their understanding of the intervals. They also work with fingering chart exercises so that basic theory can be immediately applied to their instrument. In addition to drawing clefs, notes, key and time signatures, students learn about musical phrases and begin composing. Puzzles and musical math games are also included.

Orchestra cello - Elementary. All for strings is a comprehensive three-volume method surrounded by a wealth of supplementary materials for teaching and performance. This complete curriculum covers virtually every aspect of beginning through intermediate string study, emphasizing technical skills, rhythmic understanding, and quality musical experiences. Many of the National Standards for Music Education can be easily implemented into the classroom setting with the varied components All for Strings has to offer. Book 1 provides a well-rounded course of study for all beginning string students. It begins with "Starting by Rote" and "Starting by Note" approaches to music reading. Photos, diagrams, and logos integrated throughout the book reinforce all new concepts introduced. Carefully selected and composed technical materials and musical selections provide excellent opportunities for learning and growth. Rhythm exercises and theory games are also provided, as well as duets, trios, and ensembles.

Orchestra viola - Elementary. All For Strings is a comprehensive three-volume method surrounded by a wealth of supplementary materials for teaching and performance. This complete curriculum covers virtually every aspect of beginning through intermediate string study, emphasizing technical skills, rhythmic understanding, and quality musical experiences. Many of the National Standards for Music Education can be easily implemented into the classroom setting with the varied components All for Strings has to offer. Book 1 provides a well-rounded course of study for all beginning string students. It begins with "Starting by Rote" and "Starting by Note" approaches to music reading. Photos, diagrams, and logos integrated throughout the book reinforce all new concepts introduced. Carefully selected and composed technical materials and musical selections provide excellent opportunities for learning and growth. Rhythm exercises and theory games are also provided, as well as duets, trios, and ensembles.

Theory Workbooks 1 and 2 are correlated with the All for Strings method books and are suitable for classroom or individual use. Each page features exercises and games which encompass music fundamentals introduced in the method books. Students start by learning the piano keyboard to increase their understanding of the intervals. They also work with fingering chart exercises so that basic theory can be immediately applied to their instrument. In addition to drawing clefs, notes, key and time signatures, students learn about musical phrases and begin composing. Puzzles and musical math games are also included.

Essential Technique for Strings includes exercises for the higher positions and shifting, along with scales, bowings, and special techniques.

Additional features:

• Music theory and history

• Multicultural music

• Creativity and assessment

• Sight-reading and rhythm pages

• Adagio and Allegro from the Sonata in E minor, Op. 1, No. 2 (B. Marcello)  
• Chanson Triste, Op. 40, No. 2 for Piano (P. I. Tchaikovsky). 
• Minuets from the Suite in G Major, BWV 1007 (J.S. Bach)  
• Tonalization 
• Sonata in C Major, Op. 40, No. 1 (Allegro, Rondo grazioso) (J.B. Breval)  

• Allegro Moderato  Composed by Johann Sebastian Bach
• Berceuse  Composed by Franz Schubert
• Fourth Position Tonalization - Moon Over The Ruined Castle  Composed by R. Taki
• Gavotte  Composed by J.B. Lully
• Gavotte In C Minor  Composed by Johann Sebastian Bach
• Humoresque  Composed by Antonin Dvorak
• La Cinquantaine  Composed by G. Marie
• Minuet  Composed by L. Boccherini
• Minuet In G  Composed by Ludwig Van Beethoven
• Minuet No. 3  Composed by Johann Sebastian Bach
• Scherzo  Composed by C. Webster
• Third Position Tonalization - Moon Over The Ruined Castle  Composed by R. Taki

• Long, Long Ago  Composed by T.H. Bayly
• May Time  Composed by Wolfgang Amadeus Mozart,Wolfgang Amadeus Mozart
• Minuet No. 1  Composed by Johann Sebastian Bach
• Minuet No. 3  Composed by Johann Sebastian Bach
• Chorus From "Judas Maccabaeus"  Composed by George Frideric Handel
• Hunters' Chorus  Composed by Carl Maria Von Weber,Carl Maria Von Weber
• Musette From English Suite No. 3  Composed by Johann Sebastian Bach
• March In G  Composed by Johann Sebastian Bach
• Theme From Witch's Dance  Composed by Nicolo Paganini
• The Moon Over The Ruined Cliff - Tonalization  Composed by R. Taki
• The Two Grenadiers  Composed by Robert Schumann
• Bourree  Composed by George Frideric Handel

• Twinkle, Twinkle, Little Star Variations  Composed by Dr. Shinichi Suzuki
• French Folk Song  Composed by Traditional
• Lighty Row  Composed by Traditional
• Song Of The Wind  Composed by Traditional
• Go Tell Aunt Rhody  Composed by Traditional
• O Come, Little Children  Composed by Traditional
• May Song  Composed by Traditional
• Allegro  Composed by Dr. Shinichi Suzuki
• Perpetual Motion In D Major  Composed by Dr. Shinichi Suzuki
• Perpetual Motion In G Major  Composed by Dr. Shinichi Suzuki
• Long, Long Ago  Composed by T.H. Bayly
• Allegretto  Composed by Dr. Shinichi Suzuki
• Andantino  Composed by Dr. Shinichi Suzuki
• Rigadoon  Composed by Henry Purcell
• Etude  Composed by Dr. Shinichi Suzuki
• The Happy Farmer  Composed by Robert Schumann
• Minuet In C  Composed by Johann Sebastian Bach
• Minuet No. 2  Composed by Johann Sebastian Bach

Written by Janice Rhoda. Published by Carl Fischer

Composed by Johannes Brahms (1833-1897). Edited by Paul Klengel. Classical Period. Collection and set of performance parts. With bowings and fingerings. 66 pages. 9x12 inches.

Composed by Nicolo Paganini (1782-1840). Edited by Carl Flesch. Classical Period. Violin solo book. With fingerings. 45 pages. 9x12 inches.

Composed by Johann Sebastian Bach (1685-1750). Edited by Gunter Hausswald. Urtext edition. Baroque. Violin solo book. With introductory text. BWV 1001-1006. 60 pages. 9x12 inches. Published by Baerenreiter Verlag.

Contents:

• Sonata 1, BWV 1001 G Minor
• Partita 1, BWV 1002 B Minor
• Sonata 2, BWV 1003 A Minor
• Partita 2, BWV 1004 D Minor
• Sonata 3, BWV 1005 C Major
• Partita 3, BWV 1006 E Major

Without any doubt J.S. Bach’s cycle of the three Sonatas and Partitas BWV 1001-1006 represents one of the pinnacles of classical European music. According to C.P.E. Bach a contemporary voice stated that there was „nothing more accomplished in order to become a good violinist“ than his father’s works. The cycle reflects the entire harmonic and polyphonic musical universe of Bach’s time, so masterfully composed that it can be rendered within the limited framework of but a single instrument – the violin.

The new publication of the Sonatas and Partitas BWV 1001-1006 (BA 5256) constitutes a complete revision of our older edition (BA 5116). The musical text has been edited by Peter Wollny and represents the most up-to-date state of research as published in the New Bach Edition – Revised (NBArev), volume BA 5937-01. The edition is mainly based on Bach’s unusually clear autograph which is considered among the most beautiful manuscripts by the composer. All relevant secondary sources have been taken into consideration in order to clarify ambiguities. These include five contemporary copies, including one by Anna Magdalena Bach, and four manuscripts from the late 18th and early 19th centuries.

The musical text has been newly engraved with a clear and generous layout, whereby page turns and pagination have been retained from the previous edition. This allows the straightforward navigation between a copy of the previous and this new edition. The detailed Preface (Ger/Eng) provides information on the genesis of the Sonatas and Partitas, their context and the sources.

Selected and progressively arranged from the foremost instructive works of Buchler, Cossmann, Dotzauer, Duport, Franchomme, Kummer, Grutzmacher, Lee, Merk, Piatti, Schroeder and Servais, these studies cover the gamut of cello playing, from very easy to advanced level.