Piano and cello. Composed by Ludwig van Beethoven (1770-1827).

Baerenreiter Publication

- First Critical Commentary ever to the sonatas
- All known sources consulted including the printer's proofs to op. 69
- Large format (24.3 x 31 cm)

Scholarship has advanced, new sources have come to light and the renowned Beethoven expert Jonathan Del Mar has turned his attention to the centrally important works in the cello œuvre , the five Beethoven Sonatas for Violoncello and Piano.

Jonathan Del Mar’s scholarly-critical edition not only contains the definitive music text, but also the first critical commentary to these works.

Composed by Edward Elgar (1857-1934), Opus 85. Edited by Jonathan Del Mar. Arranged by Edward Elgar. Piano Reduction. This edition: Urtext edition.

A cello method for children age four and older. Composed by Egon Sassmannshaus; Kurt Sassmannshaus. Instructional method. Performance score. Published by Baerenreiter Verlag.

About Baerenreiter's Sassmannshaus:

Children playfully learn reliable technique at the earliest age. For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner methods in German-speaking countries. More than half a million students have successfully learned to play using this publication.

This tried and tested German method is now available in English! The best-selling method that gave generations of European musicians their foundation is now available in English, with content and songs newly adapted for today's English speaking children.

What makes this method so special?

• The child-friendly and age-appropriate tex
• Songs and scales in different positions are easily explained and mastered within the first year. This is an important advantage over methods that confine children to the first position for many years.
• Note reading is emphasized from the first lesson - children are brought up to become proficient sight-readers and play in chamber music ensembles as early as possible.
• In contrast to other beginner methods, The Sassmannshaus Tradition progresses swiftly by introducing advanced techniques in rudimentary form, such as shifting and varied bow strokes.
• Ensemble playing is encouraged from the very beginning.
• The method is suitable for single instruction as well as for group and class lessons.
• The large print notes and text as well as many colorful illustrations are particularly child-friendly and very attractive to pre-school children and school children alike.

The second volume of the Sassmannshaus Cello Method already presents classical cello duets. The child's knowledge and technique is expanded by dotted rhythms, sixteenth notes, and first double stops. And here is the most revolutionary aspect of the method: different finger patterns can be connected and combined to create any major and minor scale without the use of open strings. This creates the ability to practice scales in any position, often within the first year of playing! With this skill, songs learned in first position are easily transposed to other keys and higher position. Coupled with beginning shifting exercises this sets a foundation for an early virtuoso technique not available in any other method.

About Baerenreiter's Sassmannshaus:

Children playfully learn reliable technique at the earliest age. For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner methods in German-speaking countries. More than half a million students have successfully learned to play using this publication.

This tried and tested German method is now available in English! The best-selling method that gave generations of European musicians their foundation is now available in English, with content and songs newly adapted for today's English speaking children.

What makes this method so special?

• The child-friendly and age-appropriate tex
• Songs and scales in different positions are easily explained and mastered within the first year. This is an important advantage over methods that confine children to the first position for many years.
• Note reading is emphasized from the first lesson - children are brought up to become proficient sight-readers and play in chamber music ensembles as early as possible.
• In contrast to other beginner methods, The Sassmannshaus Tradition progresses swiftly by introducing advanced techniques in rudimentary form, such as shifting and varied bow strokes.
• Ensemble playing is encouraged from the very beginning.
• The method is suitable for single instruction as well as for group and class lessons.
• The large print notes and text as well as many colorful illustrations are particularly child-friendly and very attractive to pre-school children and school children alike.

Elementary duets. Dances and other pieces in various keys.

The third volume of the Sassmannshaus Cello Method emphasizes duet playing in a great variety of keys and rhythms and musical style. Different finger patterns and strokes are thoroughly practiced.

About Baerenreiter's Sassmannshaus:

Children playfully learn reliable technique at the earliest age. For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner methods in German-speaking countries. More than half a million students have successfully learned to play using this publication.

This tried and tested German method is now available in English! The best-selling method that gave generations of European musicians their foundation is now available in English, with content and songs newly adapted for today's English speaking children.

What makes this method so special?

• The child-friendly and age-appropriate tex
• Songs and scales in different positions are easily explained and mastered within the first year. This is an important advantage over methods that confine children to the first position for many years.
• Note reading is emphasized from the first lesson - children are brought up to become proficient sight-readers and play in chamber music ensembles as early as possible.
• In contrast to other beginner methods, The Sassmannshaus Tradition progresses swiftly by introducing advanced techniques in rudimentary form, such as shifting and varied bow strokes.
• Ensemble playing is encouraged from the very beginning.
• The method is suitable for single instruction as well as for group and class lessons.
• The large print notes and text as well as many colorful illustrations are particularly child-friendly and very attractive to pre-school children and school children alike.

The fourth volume of the Sassmannshaus Cello Method introduces various positions as well as new bowing techniques. These are practiced in increasingly demanding classical duets. From here, students can embark on the journey of standard repertoire.

About Baerenreiter's Sassmannshaus:

Children playfully learn reliable technique at the earliest age. For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner methods in German-speaking countries. More than half a million students have successfully learned to play using this publication.

This tried and tested German method is now available in English! The best-selling method that gave generations of European musicians their foundation is now available in English, with content and songs newly adapted for today's English speaking children.

What makes this method so special?

• The child-friendly and age-appropriate text
• Songs and scales in different positions are easily explained and mastered within the first year. This is an important advantage over methods that confine children to the first position for many years.
• Note reading is emphasized from the first lesson - children are brought up to become proficient sight-readers and play in chamber music ensembles as early as possible.
• In contrast to other beginner methods, The Sassmannshaus Tradition progresses swiftly by introducing advanced techniques in rudimentary form, such as shifting and varied bow strokes.
• Ensemble playing is encouraged from the very beginning.
• The method is suitable for single instruction as well as for group and class lessons.
• The large print notes and text as well as many colorful illustrations are particularly child-friendly and very attractive to pre-school children and school children alike.

Note reading is introduced from the beginning, and accidentals are explained in the easiest way in the first volume. By the end of the first book, many English children's songs using all fingers have been played and note values from more...whole to eighth notes have been introduced. Even the easiest exercises are underlaid with text so that melodies can be perceived as a whole.

About Baerenreiter's Sassmannshaus:

Children playfully learn reliable technique at the earliest age. For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner methods in German-speaking countries. More than half a million students have successfully learned to play using this publication.

This tried and tested German method is now available in English! The best-selling method that gave generations of European musicians their foundation is now available in English, with content and songs newly adapted for today's English speaking children.

What makes this method so special?

• The child-friendly and age-appropriate text underlying the music enables children to perceive melodies as a whole and to understand their singable qualities.
• Songs and scales in different positions are easily explained and mastered within the first year. This is an important advantage over methods that confine children to the first position for many years.
• Note reading is emphasized from the first lesson - children are brought up to become proficient sight-readers and play in chamber music ensembles as early as possible.
• In contrast to other beginner methods, The Sassmannshaus Tradition progresses swiftly by introducing advanced techniques in rudimentary form, such as shifting and varied bow strokes.
• Ensemble playing is encouraged from the very beginning.
• The method is suitable for single instruction as well as for group and class lessons.
• The large print notes and text as well as many colorful illustrations are particularly child-friendly and very attractive to pre-school children and school children alike.

The second volume already presents classical viola duets. The child's knowledge and technique is expanded by dotted rhythms, sixteenths notes, and first double stops. And here is the most revolutionary aspect of the method: different finger patterns can be connected and combined to create any major and minor scale without the use of open strings. This creates the ability to practice scales in any position, often within the first year of playing! With this skill, songs learned in first position are easily transposed to other keys and higher position. Coupled with beginning shifting exercises this sets a foundation for an early virtuoso technique not available in any other method.

About Baerenreiter's Sassmannshaus:

Children playfully learn reliable technique at the earliest age. For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner methods in German-speaking countries. More than half a million students have successfully learned to play using this publication.

This tried and tested German method is now available in English! The best-selling method that gave generations of European musicians their foundation is now available in English, with content and songs newly adapted for today's English speaking children.

What makes this method so special?

• The child-friendly and age-appropriate text underlying the music enables children to perceive melodies as a whole and to understand their singable qualities.
• Songs and scales in different positions are easily explained and mastered within the first year. This is an important advantage over methods that confine children to the first position for many years.
• Note reading is emphasized from the first lesson - children are brought up to become proficient sight-readers and play in chamber music ensembles as early as possible.
• In contrast to other beginner methods, The Sassmannshaus Tradition progresses swiftly by introducing advanced techniques in rudimentary form, such as shifting and varied bow strokes.
• Ensemble playing is encouraged from the very beginning.
• The method is suitable for single instruction as well as for group and class lessons.
• The large print notes and text as well as many colorful illustrations are particularly child-friendly and very attractive to pre-school children and school children alike.

2 violas Elementary duets. Dances and other pieces in various keys.

About Baerenreiter's Sassmannshaus:

Children playfully learn reliable technique at the earliest age. For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner methods in German-speaking countries. More than half a million students have successfully learned to play using this publication.

This tried and tested German method is now available in English! The best-selling method that gave generations of European musicians their foundation is now available in English, with content and songs newly adapted for today's English speaking children.

What makes this method so special?

• The child-friendly and age-appropriate text underlying the music enables children to perceive melodies as a whole and to understand their singable qualities.
• Songs and scales in different positions are easily explained and mastered within the first year. This is an important advantage over methods that confine children to the first position for many years.
• Note reading is emphasized from the first lesson - children are brought up to become proficient sight-readers and play in chamber music ensembles as early as possible.
• In contrast to other beginner methods, The Sassmannshaus Tradition progresses swiftly by introducing advanced techniques in rudimentary form, such as shifting and varied bow strokes.
• Ensemble playing is encouraged from the very beginning.
• The method is suitable for single instruction as well as for group and class lessons.
• The large print notes and text as well as many colorful illustrations are particularly child-friendly and very attractive to pre-school children and school children alike.

2 violas Elementary duets. Dances and other pieces in various keys.

About Baerenreiter's Sassmannshaus:

Children playfully learn reliable technique at the earliest age. For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner methods in German-speaking countries. More than half a million students have successfully learned to play using this publication.

This tried and tested German method is now available in English! The best-selling method that gave generations of European musicians their foundation is now available in English, with content and songs newly adapted for today's English speaking children.

What makes this method so special?

• The child-friendly and age-appropriate text underlying the music enables children to perceive melodies as a whole and to understand their singable qualities.
• Songs and scales in different positions are easily explained and mastered within the first year. This is an important advantage over methods that confine children to the first position for many years.
• Note reading is emphasized from the first lesson - children are brought up to become proficient sight-readers and play in chamber music ensembles as early as possible.
• In contrast to other beginner methods, The Sassmannshaus Tradition progresses swiftly by introducing advanced techniques in rudimentary form, such as shifting and varied bow strokes.
• Ensemble playing is encouraged from the very beginning.
• The method is suitable for single instruction as well as for group and class lessons.
• The large print notes and text as well as many colorful illustrations are particularly child-friendly and very attractive to pre-school children and school children alike.

Composed by Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. Stapled. Critical report. Opus 104. 58 pages. Published by Baerenreiter Verlag (BA9045-40). 24 x 17 cm inches. Key: B minor. Text Language: English.

Viola-solo, piano
Composed by Georg Philipp Telemann (1681-1767). Edited by Wolfgang Hirschmann. Urtext edition. Stapled. Piano reduction, part(s). TWV 51:G9. Duration 9 minutes.31 x 24.3 cm inches. Key: G major.

The Concerto in G major (TWV 51: G 9) is not only Telemann's only concerto for the viola but one of the earliest viola concertos in history. It belongs to the standard repertoire of every violist and is also suited for less experienced players, being relatively easy to master.

Composed by Cesar Auguste Franck (1822-1890). Edited by Douglas Woodfull-Harris. Arranged by Douglas Woodfull-Harris. 31 x 24.3 cm inches. Text language: English, German, French. Introduction by Gudula Schutz.

Cesar Franck's Sonata for Piano and Violin is one of the most treasured works in the violin repertoire, a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugene Ysaye.

After Franck's death in 1890 the original publisher of the Sonata, the Parisian house Julien Hamelle, announced an arrangement of the work for viola, but it has not been possible to locate any copy of this publication. The present arrangement for viola is largely based on Jules Delsart's arrangement for piano and cello, the only version of the Sonata which the composer authorized. However, the viola part here also adopts extensive passages in their original register or remains in the middle octave, especially in those passages where the cello lies two octaves beneath the violin. Being set in the alto register, the part thus lies between the other two string versions, lending the Sonata a delightful hybrid hue beyond the brilliance of the violin and the sonorousness of the cello. The piano part has been left intact and is thus identical to that of the original version. The edition is rounded off by an informative text on the genesis and reception history of the Sonata.

Composed by Maurice Ravel (1875-1937). Edited by Douglas Woodfull-Harris. Urtext edition. Performance score (2). 32.5 x 25.5 cm inches. Published by Baerenreiter Verlag. . Text Language: German/English/French. Preface: Juliette Appold / Douglas Woodfull-Harris

Composed by Johannes Brahms (1833-1897). Edited by Clive Brown. 31 x 24.3 cm inches. Key: D major. Piano reduction by the composer.

Violin-solo, piano
Composed by Jean Baptiste Accolay. Edited by Kurt Sassmannshaus. Stapled. Barenreiter's Concert Pieces. Instructional. Piano reduction, part(s). No. 1. Published by Baerenreiter Verlag

30 x 23 cm inches. Key: a minor. Text Language: German/English. Preface: Kurt Sassmannshaus.

Jean Baptiste Accolay's Concerto in A minor is also a standard work for violin classes. Its fascination lies in its expressiveness which is created by the simplest technical means.

The series "Barenreiter's Easy Concertos" is edited by Kurt Sassmannshaus, the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition.
His forewords introduce these little gems and include tips for successful first concerts. The editions form an ideal continuation of the Sassmannshaus violin school tradition; they can be used in parallel from the third volume onwards or alongside any violin method. The editions contain a solo violin part and a piano reduction for the accompanist.

The series will be continued and will introduce the student to more demanding repertoire with an increasing level of difficulty.

Violin and Piano. Composed by Antonin Dvorak (1841-1904). Edited and with a preface by Iacopo Cividini. This edition: Urtext edition.  Opus 53.  31 x 24.3 cm inches. Key: a minor. 

Beautiful Music for Two String Instruments, for 2 violas, by Samuel Applebaum. Both parts on the same page. Published by Belwin Mills.

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violas will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music-making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. they may be played by two performers, or by multiple performers on each part, with or without piano accompaniment. 

Beautiful Music for Two String Instruments, for 2 violas, by Samuel Applebaum. Both parts on the same page. Published by Belwin Mills.

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violas will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music-making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. they may be played by two performers, or by multiple performers on each part, with or without piano accompaniment. 

Beautiful Music for Two String Instruments, by Samuel Applebaum. Volume 2, for two cellos. Both parts on the same page. Can be used with any of the Beautiful Music Volumes 1 to create duets for cello/ viola or cello/ violin.

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violins will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. They may be played by two performers, or by multiple performers on each part, with or without piano accompaniment.

Beautiful Music for Two String Instruments, by Samuel Applebaum. Volume 3, for two cellos. Both parts on the same page. Can be used with any of the Beautiful Music Volumes 1 to create duets for cello/ viola or cello/ violin.

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violins will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. They may be played by two performers, or by multiple performers on each part, with or without piano accompaniment.

Beautiful Music for Two String Instruments, by Samuel Applebaum. Volume 3, for two cellos. Both parts on the same page. Can be used with any of the Beautiful Music Volumes 1 to create duets for cello/ viola or cello/ violin.

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violins will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. They may be played by two performers, or by multiple performers on each part, with or without piano accompaniment.

Book 1. A String Class Method (for Class or Individual Instruction) - Cello. Composed by Samuel Applebaum. 32 pages. Published by Belwin Music.

The Belwin String Builder is a string class method in which the violin, viola, cello, and bass play together throughout. Each book, however, is a complete unit and may be used separately for class or individual instruction. The material in this book is realistically graded so that only a minimum of explanatory material is required. Each melody is interesting and will provide the basis for a fine left hand technic and bow arm. Available in three levels for violin, viola, cello, bass, piano accompaniment, and teacher's manual.

Contents:

The Third and Fifth Position String Builder is to be used after Book 3 of the Belwin String Builder. However, it may also be used as a continuation of any the standard string class methods. In this book, the violin, viola, cello, and bass play together. The book for each instrument, however, is a complete unit and may be used separately for class or individual instruction. In this book, the pupil is carefully taken step by step through the third and fifth positions. The pupil is taught to find each finger, after which simple shifts are introuduced with the same finger, followed by shifts to these positions with different fingers. Each type of shift is presented and developed with interesting melodies. The material in this volume is chosen for its musical interest and its technical value. There are a number of duets which are to be played by either two pupils or with the class divided into two groups. The material in this book is realistically graded so that only a minimum of explanatory material is required. Suggestions for work by rote are presented throughout the book. Published for violin, viola, cello, bass, piano accompaniment, teacher's manual.