Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Christoph Hellmut Mahling. Urtext edition. Classical Period. Set of performance parts (includes separate pull-out violin part). With solo part and piano reduction. K. 216. 43 pages. 9x12 inches.

With an Urtext solo part and a solo part with bowing, fingering and cadenzas.

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Christoph Hellmut Mahling. Urtext edition. Classical Period. Set of performance parts (includes separate pull-out violin part). With solo part, piano reduction, cadenzas and performance notes. 73 pages, 9x12 inches. Key: D major.

With an Urtext solo part and a solo part with bowing, fingering and cadenzas.

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Christoph Hellmut Mahling. Urtext edition. Classical Period. Set of performance parts (includes separate pull-out violin part). With solo part, piano reduction and introductory text. K. 219. 69 pages. Published by Baerenreiter Verlag.

Cello/piano Sonata for Violoncello and Piano. Composed by Claude Debussy (1862-1918). Edited by Regina Back. Urtext edition. Playing score with critical commentary. 22/7 pages.

Debussy's Sonate pour violoncelle et piano was composed in the summer of 1915. It was the first of a planned set of six sonatas for various instrumental combinations of which Debussy only completed three. Imbued with that unmistakable Debussy charm this work has remained a standard in the repertoire since the premiere. It is without question the most performed cello sonata of the 20th century.

Regina Back's Urtext edition for the first time makes use of Debussy's sketches held in a private collection which contain not only an important comment by Debussy regarding the balance of the instruments but also clarify several musical ambiguities found in the autograph and first edition.Barenreiter's new Urtext edition comes with a detailed preface (German/English/French) elaborating not only on the genesis of the composition and its first performances but also providing performance practice information. The edition is rounded off with a facsimile and a Critical Commentary (English).

Cello and piano. Ausgabe fur Violoncello und Klavier. Composed by Franz Schubert (1797-1828). Edited by Helmut Wirth. Arranged by Klaus Storck. Urtext edition. Performance score and parts. D 821. 23 pages. Key: A minor.

Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da Costa with a preface by Clive Brown. Score with parts. Second part included with performance markings.

Composed by Johannes Brahms (1833-1897). Edited by Clive Brown. 31 x 24.3 cm inches. Key: D major. Piano reduction by the composer.

About Baerenreiter's Sassmannshaus:

Children playfully learn reliable technique at the earliest age. For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner methods in German-speaking countries. More than half a million students have successfully learned to play using this publication.

This tried and tested German method is now available in English! The best-selling method that gave generations of European musicians their foundation is now available in English, with content and songs newly adapted for today's English speaking children.

What makes this method so special?

• The child-friendly and age-appropriate text underlying the music enables children to perceive melodies as a whole and to understand their singable qualities.
• Songs and scales in different positions are easily explained and mastered within the first year. This is an important advantage over methods that confine children to the first position for many years.
• Note reading is emphasized from the first lesson - children are brought up to become proficient sight-readers and play in chamber music ensembles as early as possible.
• In contrast to other beginner methods, The Sassmannshaus Tradition progresses swiftly by introducing advanced techniques in rudimentary form, such as shifting and varied bow strokes.
• Ensemble playing is encouraged from the very beginning.
• The method is suitable for single instruction as well as for group and class lessons.
• The large print notes and text as well as many colorful illustrations are particularly child-friendly and very attractive to pre-school children and school children alike.

About Baerenreiter's Sassmannshaus:

Children playfully learn reliable technique at the earliest age. For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner methods in German-speaking countries. More than half a million students have successfully learned to play using this publication.

This tried and tested German method is now available in English! The best-selling method that gave generations of European musicians their foundation is now available in English, with content and songs newly adapted for today's English speaking children.

What makes this method so special?

• The child-friendly and age-appropriate text underlying the music enables children to perceive melodies as a whole and to understand their singable qualities.
• Songs and scales in different positions are easily explained and mastered within the first year. This is an important advantage over methods that confine children to the first position for many years.
• Note reading is emphasized from the first lesson - children are brought up to become proficient sight-readers and play in chamber music ensembles as early as possible.
• In contrast to other beginner methods, The Sassmannshaus Tradition progresses swiftly by introducing advanced techniques in rudimentary form, such as shifting and varied bow strokes.
• Ensemble playing is encouraged from the very beginning.
• The method is suitable for single instruction as well as for group and class lessons.
• The large print notes and text as well as many colorful illustrations are particularly child-friendly and very attractive to pre-school children and school children alike.

About Baerenreiter's Sassmannshaus:

Children playfully learn reliable technique at the earliest age. For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner methods in German-speaking countries. More than half a million students have successfully learned to play using this publication.

This tried and tested German method is now available in English! The best-selling method that gave generations of European musicians their foundation is now available in English, with content and songs newly adapted for today's English speaking children.

What makes this method so special?

• The child-friendly and age-appropriate text underlying the music enables children to perceive melodies as a whole and to understand their singable qualities.
• Songs and scales in different positions are easily explained and mastered within the first year. This is an important advantage over methods that confine children to the first position for many years.
• Note reading is emphasized from the first lesson - children are brought up to become proficient sight-readers and play in chamber music ensembles as early as possible.
• In contrast to other beginner methods, The Sassmannshaus Tradition progresses swiftly by introducing advanced techniques in rudimentary form, such as shifting and varied bow strokes.
• Ensemble playing is encouraged from the very beginning.
• The method is suitable for single instruction as well as for group and class lessons.
• The large print notes and text as well as many colorful illustrations are particularly child-friendly and very attractive to pre-school children and school children alike.

About Baerenreiter's Sassmannshaus:

Children playfully learn reliable technique at the earliest age. For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner methods in German-speaking countries. More than half a million students have successfully learned to play using this publication.

This tried and tested German method is now available in English! The best-selling method that gave generations of European musicians their foundation is now available in English, with content and songs newly adapted for today's English speaking children.

What makes this method so special?

• The child-friendly and age-appropriate text underlying the music enables children to perceive melodies as a whole and to understand their singable qualities.
• Songs and scales in different positions are easily explained and mastered within the first year. This is an important advantage over methods that confine children to the first position for many years.
• Note reading is emphasized from the first lesson - children are brought up to become proficient sight-readers and play in chamber music ensembles as early as possible.
• In contrast to other beginner methods, The Sassmannshaus Tradition progresses swiftly by introducing advanced techniques in rudimentary form, such as shifting and varied bow strokes.
• Ensemble playing is encouraged from the very beginning.
• The method is suitable for single instruction as well as for group and class lessons.
• The large print notes and text as well as many colorful illustrations are particularly child-friendly and very attractive to pre-school children and school children alike.

Viola-solo, piano
Composed by Georg Philipp Telemann (1681-1767). Edited by Wolfgang Hirschmann. Urtext edition. Stapled. Piano reduction, part(s). TWV 51:G9. Duration 9 minutes.31 x 24.3 cm inches. Key: G major.

The Concerto in G major (TWV 51: G 9) is not only Telemann's only concerto for the viola but one of the earliest viola concertos in history. It belongs to the standard repertoire of every violist and is also suited for less experienced players, being relatively easy to master.

Composed by Johann Sebastian Bach (1685-1750). Edited by Rudolf Gerber. This edition: urtext edition. Paperback. Baroque. Set of performance parts (includes separate pull-out violin & viola da gamba parts). With solo part, piano accompaniment and introductory text. BWV 1014-1016. 89 pages. Published by Baerenreiter Verlag

Volume I includes:

BWV 1014 B Minor

BWV 1015 A Major

BWV 1016 E Major

Violin-solo, piano
Composed by Jean Baptiste Accolay. Edited by Kurt Sassmannshaus. Stapled. Barenreiter's Concert Pieces. Instructional. Piano reduction, part(s). No. 1. Published by Baerenreiter Verlag

30 x 23 cm inches. Key: a minor. Text Language: German/English. Preface: Kurt Sassmannshaus.

Jean Baptiste Accolay's Concerto in A minor is also a standard work for violin classes. Its fascination lies in its expressiveness which is created by the simplest technical means.

The series "Barenreiter's Easy Concertos" is edited by Kurt Sassmannshaus, the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition.
His forewords introduce these little gems and include tips for successful first concerts. The editions form an ideal continuation of the Sassmannshaus violin school tradition; they can be used in parallel from the third volume onwards or alongside any violin method. The editions contain a solo violin part and a piano reduction for the accompanist.

The series will be continued and will introduce the student to more demanding repertoire with an increasing level of difficulty.

Violin and Piano. Composed by Antonin Dvorak (1841-1904). Edited and with a preface by Iacopo Cividini. This edition: Urtext edition.  Opus 53.  31 x 24.3 cm inches. Key: a minor. 

Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. Urtext edition. Stapled. Second version 1845. Piano reduction, set of parts. Opus 64. 45/16/16 pages pages. Duration 26 minutes. Published by Baerenreiter Verlag.

With an Urtext solo part and a solo part with bowing and fingering.

Movements: Allegro molto appassionato, Andante, Allegro molto vivace

Composed by Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. Stapled. Critical report. Opus 104. 58 pages. Published by Baerenreiter Verlag (BA9045-40). 24 x 17 cm inches. Key: B minor. Text Language: English.

Composed by Cesar Auguste Franck (1822-1890). Edited by Douglas Woodfull-Harris. Arranged by Douglas Woodfull-Harris. 31 x 24.3 cm inches. Text language: English, German, French. Introduction by Gudula Schutz.

Cesar Franck's Sonata for Piano and Violin is one of the most treasured works in the violin repertoire, a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugene Ysaye.

After Franck's death in 1890 the original publisher of the Sonata, the Parisian house Julien Hamelle, announced an arrangement of the work for viola, but it has not been possible to locate any copy of this publication. The present arrangement for viola is largely based on Jules Delsart's arrangement for piano and cello, the only version of the Sonata which the composer authorized. However, the viola part here also adopts extensive passages in their original register or remains in the middle octave, especially in those passages where the cello lies two octaves beneath the violin. Being set in the alto register, the part thus lies between the other two string versions, lending the Sonata a delightful hybrid hue beyond the brilliance of the violin and the sonorousness of the cello. The piano part has been left intact and is thus identical to that of the original version. The edition is rounded off by an informative text on the genesis and reception history of the Sonata.

Composed by Maurice Ravel (1875-1937). Edited by Douglas Woodfull-Harris. Urtext edition. Performance score (2). 32.5 x 25.5 cm inches. Published by Baerenreiter Verlag. . Text Language: German/English/French. Preface: Juliette Appold / Douglas Woodfull-Harris

A cello method for children age four and older. Composed by Egon Sassmannshaus; Kurt Sassmannshaus. Instructional method. Performance score. Published by Baerenreiter Verlag.

About Baerenreiter's Sassmannshaus:

Children playfully learn reliable technique at the earliest age. For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner methods in German-speaking countries. More than half a million students have successfully learned to play using this publication.

This tried and tested German method is now available in English! The best-selling method that gave generations of European musicians their foundation is now available in English, with content and songs newly adapted for today's English speaking children.

What makes this method so special?

• The child-friendly and age-appropriate tex
• Songs and scales in different positions are easily explained and mastered within the first year. This is an important advantage over methods that confine children to the first position for many years.
• Note reading is emphasized from the first lesson - children are brought up to become proficient sight-readers and play in chamber music ensembles as early as possible.
• In contrast to other beginner methods, The Sassmannshaus Tradition progresses swiftly by introducing advanced techniques in rudimentary form, such as shifting and varied bow strokes.
• Ensemble playing is encouraged from the very beginning.
• The method is suitable for single instruction as well as for group and class lessons.
• The large print notes and text as well as many colorful illustrations are particularly child-friendly and very attractive to pre-school children and school children alike.

The second volume of the Sassmannshaus Cello Method already presents classical cello duets. The child's knowledge and technique is expanded by dotted rhythms, sixteenth notes, and first double stops. And here is the most revolutionary aspect of the method: different finger patterns can be connected and combined to create any major and minor scale without the use of open strings. This creates the ability to practice scales in any position, often within the first year of playing! With this skill, songs learned in first position are easily transposed to other keys and higher position. Coupled with beginning shifting exercises this sets a foundation for an early virtuoso technique not available in any other method.

About Baerenreiter's Sassmannshaus:

Children playfully learn reliable technique at the earliest age. For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner methods in German-speaking countries. More than half a million students have successfully learned to play using this publication.

This tried and tested German method is now available in English! The best-selling method that gave generations of European musicians their foundation is now available in English, with content and songs newly adapted for today's English speaking children.

What makes this method so special?

• The child-friendly and age-appropriate tex
• Songs and scales in different positions are easily explained and mastered within the first year. This is an important advantage over methods that confine children to the first position for many years.
• Note reading is emphasized from the first lesson - children are brought up to become proficient sight-readers and play in chamber music ensembles as early as possible.
• In contrast to other beginner methods, The Sassmannshaus Tradition progresses swiftly by introducing advanced techniques in rudimentary form, such as shifting and varied bow strokes.
• Ensemble playing is encouraged from the very beginning.
• The method is suitable for single instruction as well as for group and class lessons.
• The large print notes and text as well as many colorful illustrations are particularly child-friendly and very attractive to pre-school children and school children alike.

Elementary duets. Dances and other pieces in various keys.

The third volume of the Sassmannshaus Cello Method emphasizes duet playing in a great variety of keys and rhythms and musical style. Different finger patterns and strokes are thoroughly practiced.

About Baerenreiter's Sassmannshaus:

Children playfully learn reliable technique at the earliest age. For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner methods in German-speaking countries. More than half a million students have successfully learned to play using this publication.

This tried and tested German method is now available in English! The best-selling method that gave generations of European musicians their foundation is now available in English, with content and songs newly adapted for today's English speaking children.

What makes this method so special?

• The child-friendly and age-appropriate tex
• Songs and scales in different positions are easily explained and mastered within the first year. This is an important advantage over methods that confine children to the first position for many years.
• Note reading is emphasized from the first lesson - children are brought up to become proficient sight-readers and play in chamber music ensembles as early as possible.
• In contrast to other beginner methods, The Sassmannshaus Tradition progresses swiftly by introducing advanced techniques in rudimentary form, such as shifting and varied bow strokes.
• Ensemble playing is encouraged from the very beginning.
• The method is suitable for single instruction as well as for group and class lessons.
• The large print notes and text as well as many colorful illustrations are particularly child-friendly and very attractive to pre-school children and school children alike.

The fourth volume of the Sassmannshaus Cello Method introduces various positions as well as new bowing techniques. These are practiced in increasingly demanding classical duets. From here, students can embark on the journey of standard repertoire.

About Baerenreiter's Sassmannshaus:

Children playfully learn reliable technique at the earliest age. For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner methods in German-speaking countries. More than half a million students have successfully learned to play using this publication.

This tried and tested German method is now available in English! The best-selling method that gave generations of European musicians their foundation is now available in English, with content and songs newly adapted for today's English speaking children.

What makes this method so special?

• The child-friendly and age-appropriate text
• Songs and scales in different positions are easily explained and mastered within the first year. This is an important advantage over methods that confine children to the first position for many years.
• Note reading is emphasized from the first lesson - children are brought up to become proficient sight-readers and play in chamber music ensembles as early as possible.
• In contrast to other beginner methods, The Sassmannshaus Tradition progresses swiftly by introducing advanced techniques in rudimentary form, such as shifting and varied bow strokes.
• Ensemble playing is encouraged from the very beginning.
• The method is suitable for single instruction as well as for group and class lessons.
• The large print notes and text as well as many colorful illustrations are particularly child-friendly and very attractive to pre-school children and school children alike.

Note reading is introduced from the beginning, and accidentals are explained in the easiest way in the first volume. By the end of the first book, many English children's songs using all fingers have been played and note values from more...whole to eighth notes have been introduced. Even the easiest exercises are underlaid with text so that melodies can be perceived as a whole.

About Baerenreiter's Sassmannshaus:

Children playfully learn reliable technique at the earliest age. For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner methods in German-speaking countries. More than half a million students have successfully learned to play using this publication.

This tried and tested German method is now available in English! The best-selling method that gave generations of European musicians their foundation is now available in English, with content and songs newly adapted for today's English speaking children.

What makes this method so special?

• The child-friendly and age-appropriate text underlying the music enables children to perceive melodies as a whole and to understand their singable qualities.
• Songs and scales in different positions are easily explained and mastered within the first year. This is an important advantage over methods that confine children to the first position for many years.
• Note reading is emphasized from the first lesson - children are brought up to become proficient sight-readers and play in chamber music ensembles as early as possible.
• In contrast to other beginner methods, The Sassmannshaus Tradition progresses swiftly by introducing advanced techniques in rudimentary form, such as shifting and varied bow strokes.
• Ensemble playing is encouraged from the very beginning.
• The method is suitable for single instruction as well as for group and class lessons.
• The large print notes and text as well as many colorful illustrations are particularly child-friendly and very attractive to pre-school children and school children alike.