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Ernst Heinrich Roth *SOLD*

sku Product SKU:  23889

Some of our favorite German Violins are the Ernst Heinrich Roths from the 1920’s. This is an especially nice example. Modeled after a Stradivarius of 1725, it is Roth’s model VR, the very best of their line of fine violins. (use text for Roth Violin I-19250)

The town of Markneukirchen in Saxony has been famous for violin making since the mid 1600s when the first violin making guild was formed. By the late 1800s more than a quarter of a million string instruments a year were being shipped all over the world with almost half the production coming to the U.S. After WWI, production in Markneukirchen dropped significantly but the companies that remained started to concentrate on the making of higher quality instruments. At the beginning of the 1920s. Ernst Heinrich Roth I (1877-1948) took over the operation of the Roth family firm and began to produce violins of exceptional quality. These fine violins were so popular in America that Ernst Heinrich sent his son Ernst Heinrich II (1890-1961) to this country to represent the firm. By the 1930’s, production decreased due to the rise of Nazism and the war. In spite of that, we still see fine Roth violins from the 30’s and even the late 40’s. Under Communist rule, the firm was taken over by the government and their building confiscated. In 1953, the business was re-established in Bubenreuth, West Germany and they began production of high quality violins, violas, cellos and bows.

Today, Ernst Heinrich Roth violins from the 1920’s are in great demand because of their exceptional quality and are increasing in value. Although originally the 1920s Roth violins were made in 13 different quality grades (reproductions of works of famous Cremonese violins by Stradivari, Guarneri and Amati), there is actually little difference in the different models in terms of quality. Some of these violins are labeled Eugen Meinel and are similar to the Roth violins and have comparable value.

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Ernst Heinrich Roth
22974

Over the years, we have offered a number of fine violins from the Ernst Heinrich Roth workshop made in the 1920’s. This violin dating from 1928 is an unusually fine example. Modeled after a Stradivarius of 1718.

Albin Paulus *SOLD*
23178

For more than 150 years, the 28 violin makers of the Paulus family made fine instruments, primarily in Markneukirchen. Albin worked with Dölling before setting up his own workshop in 1890. His workshop became very successful and his instruments were in great demand.

Johann Glass
22851

Johann Glass studied violin making with his father Franz Johann and took over his very successful firm. The Glass family of makers (20 in all) dated from the late 1700’s to th mid 20th century. Johann was also the maker and restorer to the Leipzig Gewandhausorchester for much of his career.

Emil Hjorth & Sons *SOLD*
23711

The Hjorth family of violin makers established the firm in 1789 and became one of the most important shops in Northern Europe under Emil’s direction. It continued until 2016. Emil Hjorth worked in Vienna, Paris with Bernardel and in London before returning to Copenhagen where he built the Hjorth firm into one of the most important in Europe. It was continued on by his sonsOthon & Knud.

D. Nicolas Aine
23998

Didier Niolas known as D. Nicolas l'aine was the most respected and certainly the most successful of the Nicolas family of violins makers. He establisehd a workshop which at one point had over 500 employees.

This beautiful violin represents the highest quality workmansip from that famous shop.

Paul Meinel
15054

The Meinel family of violin makers was one of the largest in Germany with over 30 master luthiers. Like all of his family, he trained in Markneukirchen but spent most of his career in Basel, Switzerland. He worked with N.E. Simoutre taking over the business in 1889 when he was only 24 years old.

Marc Laberte
22799

This fine violin is of the highest quality form the Laberte-Humbert Frerés firm in Mirecourt made when the workshop was at its peak. Marc Laberte was trained by his father and became a highly skilled and decorated maker.

Roger & Max Millant
15706

Brothers Roger and Max Millant were among the most respected European makers of their generation. Beginning their studies with their prize winning grandfather Sebastien-August Deroux, they continued their studies with Mougenot in Mirecourt and with Dykes in London. After establishing their own shop in Paris in 1930- shortly before turning 30- they quickly developed fame for constructing instruments of robust tone and elegant craftsmanship. During the course of their career, they won prizes in Cremona, The Hague, and Liege, among others. This violin is a classic example of their work from the same year they won first prize at The Hague for a quartet of instruments. It is of extremely attractive wood and a rich red varnish, and has a clear warm tone filled with resonance and color. 

 

Auguste Delivet
23438

Like so many French makers, Delivet apprenticed in Mirecourt. After working there with Victor Rambaux, he moved to Paris working with H.C.Silvestre. He opened his own shop in Paris in 1892. His work was highly regarded and he won numerous gold medals in major exhibitions. In 1918 he emigrated to Canada working in Toronto and Montreal. This violin has a nice brilliant and responsive tone.

Hidalgo Moya
23269

After training in Mirecourt, Hidalgo Moya established his workshop in Aylestone, England in 1890. His work has always been highly regarded for his fine craftsmanship and tone qualities.

Maurizio Tadioli
23351

Born in 1967, Maurizio worked with his grandfather Carlo Pizzamaglio then graduated from The Cremona School of Violin Making in 1985. He has gone on to win many awards and medals at international competitions. This is an interesting example of his early work and has a certificate from Chris Reuning.

Léon Mougenot
21035

The Mougenot family of violin makers goes back to the 17th century. Léon worked with E.Laurent in Brussels, Blanchard in Lyon and W.E.Hill and Sons in London before establishing his own shop in Mirecourt in 1899. His work has always been highly respected for his very fine workmanship.

Caussin Workshop *SOLD*
18777

The Caussin workshop in Neufchâteau (near Mirecourt) produced excellent instruments from 1830 until the end of the 19th. Century. Over the years we have been able to offer a number of these fine and very interesting instruments.

Tschu Ho Lee
20724

Master violin maker Tschu Ho Lee has been the director of the Chicago School of Violin Making since 1980 and has taught a generation of violin makers, many of whom have become famous in their own right. Originally from Korea, Mr. Lee graduated from the Mittenwald violin making school and got his master’s certificate before coming to Chicago

Joseph Klotz
24127

The Klotz family of violin makers spanned five generations, starting in 1653 and continuing till well after the Second World War with 26 members. Joseph, son of Sebastian, was born in 1743 His work is fairly rare but of high quality, among the best makers of this highly important violin making family.

Ernst Heinrich Roth *SOLD*
23889

Some of our favorite German Violins are the Ernst Heinrich Roths from the 1920’s. This is an especially nice example. Modeled after a Stradivarius of 1725, it is Roth’s model VR, the very best of their line of fine violins. (use text for Roth Violin I-19250)

The town of Markneukirchen in Saxony has been famous for violin making since the mid 1600s when the first violin making guild was formed. By the late 1800s more than a quarter of a million string instruments a year were being shipped all over the world with almost half the production coming to the U.S. After WWI, production in Markneukirchen dropped significantly but the companies that remained started to concentrate on the making of higher quality instruments. At the beginning of the 1920s. Ernst Heinrich Roth I (1877-1948) took over the operation of the Roth family firm and began to produce violins of exceptional quality. These fine violins were so popular in America that Ernst Heinrich sent his son Ernst Heinrich II (1890-1961) to this country to represent the firm. By the 1930’s, production decreased due to the rise of Nazism and the war. In spite of that, we still see fine Roth violins from the 30’s and even the late 40’s. Under Communist rule, the firm was taken over by the government and their building confiscated. In 1953, the business was re-established in Bubenreuth, West Germany and they began production of high quality violins, violas, cellos and bows.

Today, Ernst Heinrich Roth violins from the 1920’s are in great demand because of their exceptional quality and are increasing in value. Although originally the 1920s Roth violins were made in 13 different quality grades (reproductions of works of famous Cremonese violins by Stradivari, Guarneri and Amati), there is actually little difference in the different models in terms of quality. Some of these violins are labeled Eugen Meinel and are similar to the Roth violins and have comparable value.

G.A.Pfretzschner labeled Paolo Fiorini
23622

Violins labeled “Paolo Fiorini” were of high quality generally from the 1920’s, made in Markneukirchen. These “Art Violins” were among the best being made in Germany at that time. In fact, ads from the U.S. distributers sometimes claimed them to have been made in Italy.

K.A.Gutter *SOLD*
19974

Kurt Arno Gutter studied with O.B.Heinel in Markneukirchen, then worked in Berlin with Glaesel and back in Markneukirchen with H.T.Heberlein before opening his own workshop a