Doflein Method - Volume 1 - The Beginning, for Violin. The Violinist's Progress. By Erich and Emma Doflein. Published by Schott, publisher's number ED4751.
A course of violin instruction combined with musical theory and practice in duet-playing.
Volume 4: Further Technique in Bowing and Fingering. Composed by Elma Doflein and Erich Doflein. Schott. 68 pages. Schott Music Published by Schott Music (HL49005123). 9x12 inches.
Cello (Violoncello). Composed by Alwin Schroeder. This edition: Studies 81-137. Studies 81-137. Instructional and Studies. Instructional book. With bowings and fingerings. 103 pages. 9x12 inches.
Selected and progressively arranged from the foremost instructive works of Buchler, Cossmann, Dotzauer, Duport, Franchomme, Kummer, Grutzmacher, Lee, Merk, Piatti, Schroeder and Servais, these studies cover the gamut of cello playing, from very easy to advanced level.
Cello method. Composed by Justus Johann Friedrich Dotzauer. Edited by J Klingenberg. String Solo. Published by G. Schirmer 9x12 inches. For unaccompanied cello.
Volume 2. Composed by Justus Johann Friedrich Dotzauer. Edited by Johannes Klingenberg. Classical. Softcover.Published by Carl Fischer.
Composed by Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. Stapled. Critical report. Opus 104. 58 pages. Published by Baerenreiter Verlag (BA9045-40). 24 x 17 cm inches. Key: B minor. Text Language: English.
Violin and Piano. Composed by Antonin Dvorak (1841-1904). Arranged by Rok Klopcic. String Solo. Classical Period. Set of performance parts (includes separate pull out violin part). With introductory text. 14 pages. Published by G. Schirmer (HL50482590). 9x12 inches.
Composed by Antonin Dvorak (1841-1904). In a folder. Set of parts. Opus 74. 7/7/7 pages.
Violin and Piano. Composed by Antonin Dvorak (1841-1904). Edited and with a preface by Iacopo Cividini. This edition: Urtext edition. Opus 53. 31 x 24.3 cm inches. Key: a minor.
Edly’s Music Theory for Practical People is the book that makes learning theory easy and fun—or at least, easier and funner. It’s written for anyone, teen to adult, wanting to understand what’s going on inside music, regardless of musical style or instrument: rock ‘n’ rollers wanting to broaden their musical horizons, jazzers needing more knowledge of chords and scales, theory students needing supplementary help, or classically trained folks wanting to better understand their Chopin… or branch into popular styles or read from fake books.
Exercises for the left hand and bow. Trills, Scales, Arpeggios, Double stopping etc. • 1st Part: Exercises in the neck positions • 2nd Part: Exercises in the whole compass of the cello • 3rd Part: Exercises in the thumb positions • 4th Part: Double stopping • 5th Part: Bowing Exercises • Examples from each of the five parts should be studied daily. The exercises should be practised slowly at first gradually increasing the speed. Care should be taken that they are played very evenly.
Composed by Cesar Auguste Franck (1822-1890). Edited by Douglas Woodfull-Harris. Arranged by Douglas Woodfull-Harris. 31 x 24.3 cm inches. Text language: English, German, French. Introduction by Gudula Schutz.
Cesar Franck's Sonata for Piano and Violin is one of the most treasured works in the violin repertoire, a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugene Ysaye.
After Franck's death in 1890 the original publisher of the Sonata, the Parisian house Julien Hamelle, announced an arrangement of the work for viola, but it has not been possible to locate any copy of this publication. The present arrangement for viola is largely based on Jules Delsart's arrangement for piano and cello, the only version of the Sonata which the composer authorized. However, the viola part here also adopts extensive passages in their original register or remains in the middle octave, especially in those passages where the cello lies two octaves beneath the violin. Being set in the alto register, the part thus lies between the other two string versions, lending the Sonata a delightful hybrid hue beyond the brilliance of the violin and the sonorousness of the cello. The piano part has been left intact and is thus identical to that of the original version. The edition is rounded off by an informative text on the genesis and reception history of the Sonata.
Violoncello Concerto in C Major by Franz Joseph Haydn, Hob. VIIb: 1. Publisher is G. Henle, with piano reduction.
Violin Method. Composed by Jan Hrimaly (1844-1915). Instructional book. 40 pages. Published by G. Schirmer. 9x12 inches.
For unaccompanied violin.
Composed by Dmitri Kabalevsky (1904-1987). Composed 1948. With solo part, standard notation, bowings, fingerings and piano reduction. . Op. 48. 47 pages. 9x12 inches.
A must-have for the serious violin student, these famous exercises are standard repertoire for the intermediate to early advanced player. Edited by Singer.
Composed by Rodolphe Kreutzer (1766-1831). Arranged by Walter Blumenau. String Solo. Instructional and Classical Period. With performance notes. 69 pages. Published by G. Schirmer (HL50261270). 9x12 inches.
For unaccompanied viola.
Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Carl Flesch. Classical Period. Set of performance parts (includes separate pull-out violin part). With solo part and piano reduction. Opus 64. 44 pages. Published by Edition Peters.
Movements: Allegro molto appassionato, Andante, Allegro molto vivace
For 2 violins. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Irmgard Engels. Published by Edition Peters (EP4518).
Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Christoph Hellmut Mahling. Urtext edition. Classical Period. Set of performance parts (includes separate pull-out violin part). With solo part and piano reduction. K. 216. 43 pages. 9x12 inches.
With an Urtext solo part and a solo part with bowing, fingering and cadenzas.