Chamber Music. Duet, Contemporary, Classical. 16 pages. Published by Boosey & Hawkes
Composed by Ludwig van Beethoven (1770-1827). Edited by Friedrich Hermann. Sheet Music. Published by Edition Peters.
3 Duos (C Major, F Major, Bb Major), transcribed for Violin and Violoncello by Friedrich Hermann (originally for Clarinet and Bassoon).
Key: Eb major. Composed by Ludwig van Beethoven (1770-1827). Composed 1795-98. Edited by Stein Haas. Classical Period. Set of performance parts with editor's notes. Includies the Minuetto. 14 pages. 9x12 inches.
Beethoven himself called this sonata movement for viola and violincello "Duett mitzweiobligaten Ausenglasern" (Duet requiring two pairs of spectacles). This edition is the first publication after the original in the British Museum. There is a striking melodic resemblance between this duet and the first movement of Beethoven's string quartet in C minor, op. 18 No.4.
Cello and Piano. Composed by Johannes Brahms (1833-1897). Edited by Egon Voss, Johannes Behr, Claus Kanngiesser, and Klaus Schilde. Arranged by Claus Kanngiesser and Klaus Schilde. Sheet Music. Paperbound. Henle Music Folios. Revised edition, with marked and unmarked string part. Paperbound. 58 pages. 9.25x12 inches.
The E minor Cello Sonata is the first work for one solo instrument and piano which the meticulous composer also had published. In summer 1865 Brahms offered it to the publisher Simrock as a sonata “whose two instruments are both absolutely easy to play” - and rightly so: contrary to the later F Major Sonata Op. 99 (51481135), this early sonata is technically less demanding, yet musically more striking at the same time, so that it is a hit with amateurs and professionals alike. Henle's new edition is based on the new Brahms Complete Edition and thus boasts, besides in-depth commentary, a musical text revised according to the latest scholarly findings. Includes a marked and unmarked cello part.
Composed by Johannes Brahms (1833-1897). Edited by Paul Klengel. Classical Period. Collection and set of performance parts. With bowings and fingerings. 66 pages. 9x12 inches.
Set of performance parts. Composed by Max Bruch (1838-1920). Edited by Henri Schradieck. Arranged by Henry Schradieck. String Solo. Classical Period. Set of performance parts (includes separate violin pull out part). 48 pages. 9x12 inches.
Stylistic Duets for Two Violas, by Jeremy Cohen. For Intermediate to Advanced Players. Published by Violin Jazz. Includes a CD.
Stylistic Duets for Two Violins, by Jeremy Cohen, noted Bay Area Jazz violinist. For Intermediate to Advanced Players. Also available for two violists. Includes CD.
Cello/piano Sonata for Violoncello and Piano. Composed by Claude Debussy (1862-1918). Edited by Regina Back. Urtext edition. Playing score with critical commentary. 22/7 pages.
Debussy's Sonate pour violoncelle et piano was composed in the summer of 1915. It was the first of a planned set of six sonatas for various instrumental combinations of which Debussy only completed three. Imbued with that unmistakable Debussy charm this work has remained a standard in the repertoire since the premiere. It is without question the most performed cello sonata of the 20th century.
Regina Back's Urtext edition for the first time makes use of Debussy's sketches held in a private collection which contain not only an important comment by Debussy regarding the balance of the instruments but also clarify several musical ambiguities found in the autograph and first edition.Barenreiter's new Urtext edition comes with a detailed preface (German/English/French) elaborating not only on the genesis of the composition and its first performances but also providing performance practice information. The edition is rounded off with a facsimile and a Critical Commentary (English).
Doflein Method - Volume 1 - The Beginning, for Violin. The Violinist's Progress. By Erich and Emma Doflein. Published by Schott, publisher's number ED4751.
A course of violin instruction combined with musical theory and practice in duet-playing.
Volume 4: Further Technique in Bowing and Fingering. Composed by Elma Doflein and Erich Doflein. Schott. 68 pages. Schott Music Published by Schott Music (HL49005123). 9x12 inches.
Cello (Violoncello). Composed by Alwin Schroeder. This edition: Studies 81-137. Studies 81-137. Instructional and Studies. Instructional book. With bowings and fingerings. 103 pages. 9x12 inches.
Selected and progressively arranged from the foremost instructive works of Buchler, Cossmann, Dotzauer, Duport, Franchomme, Kummer, Grutzmacher, Lee, Merk, Piatti, Schroeder and Servais, these studies cover the gamut of cello playing, from very easy to advanced level.
Cello method. Composed by Justus Johann Friedrich Dotzauer. Edited by J Klingenberg. String Solo. Published by G. Schirmer 9x12 inches. For unaccompanied cello.
Volume 2. Composed by Justus Johann Friedrich Dotzauer. Edited by Johannes Klingenberg. Classical. Softcover.Published by Carl Fischer.
Composed by Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. Stapled. Critical report. Opus 104. 58 pages. Published by Baerenreiter Verlag (BA9045-40). 24 x 17 cm inches. Key: B minor. Text Language: English.
Violin and Piano. Composed by Antonin Dvorak (1841-1904). Arranged by Rok Klopcic. String Solo. Classical Period. Set of performance parts (includes separate pull out violin part). With introductory text. 14 pages. Published by G. Schirmer (HL50482590). 9x12 inches.
Composed by Antonin Dvorak (1841-1904). In a folder. Set of parts. Opus 74. 7/7/7 pages.
Violin and Piano. Composed by Antonin Dvorak (1841-1904). Edited and with a preface by Iacopo Cividini. This edition: Urtext edition. Opus 53. 31 x 24.3 cm inches. Key: a minor.
Exercises for the left hand and bow. Trills, Scales, Arpeggios, Double stopping etc. • 1st Part: Exercises in the neck positions • 2nd Part: Exercises in the whole compass of the cello • 3rd Part: Exercises in the thumb positions • 4th Part: Double stopping • 5th Part: Bowing Exercises • Examples from each of the five parts should be studied daily. The exercises should be practised slowly at first gradually increasing the speed. Care should be taken that they are played very evenly.
Flesch Scale System for the Viola, arranged by Charlotte Karman under the auspices of Carl Flesch. Scale Exercises in All Major and Minor Keys for Daily Study. Published by Fischer.
Composed by Cesar Auguste Franck (1822-1890). Edited by Douglas Woodfull-Harris. Arranged by Douglas Woodfull-Harris. 31 x 24.3 cm inches. Text language: English, German, French. Introduction by Gudula Schutz.
Cesar Franck's Sonata for Piano and Violin is one of the most treasured works in the violin repertoire, a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugene Ysaye.
After Franck's death in 1890 the original publisher of the Sonata, the Parisian house Julien Hamelle, announced an arrangement of the work for viola, but it has not been possible to locate any copy of this publication. The present arrangement for viola is largely based on Jules Delsart's arrangement for piano and cello, the only version of the Sonata which the composer authorized. However, the viola part here also adopts extensive passages in their original register or remains in the middle octave, especially in those passages where the cello lies two octaves beneath the violin. Being set in the alto register, the part thus lies between the other two string versions, lending the Sonata a delightful hybrid hue beyond the brilliance of the violin and the sonorousness of the cello. The piano part has been left intact and is thus identical to that of the original version. The edition is rounded off by an informative text on the genesis and reception history of the Sonata.