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Ifshin Rare & Fine Instruments

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CodaBow NX
Coda-NX

CodaBow DIAMOND NX Violin Bow (Full Size)

The shared dream of master makers and professional teachers, the DIAMOND NX offers advanced performance for serious players.

WEIGHT: Approx. 61.0 Grams
SHAFT TECHNOLOGY: Graphite Diamond Weave
ACOUSTIC CORE: Blended Kevlar
FROG DESIGN: Traditional
FROG MAKER: Walter Paulus
INLAY: Nickel
BODY: Xebony™ Engineered Ebony
SLIDE: White Mother of Pearl
FITTINGS: Nickel
GRIP: Moroccan Leather
WINDING: Sterling Silver
TIP PLATE: Simulated Ivory
WEDGES/PLUGS: Traditional Hand-Cut Wood
IDENTIFICATION: Individually-Numbered

see www.codabow.com for more information

Jay Haide 4/4 violin bow, pernambuco
BOW1.3

Jay Haide brand, pernambuco violin bow, fully lined ebony frog, silver mounted.

CodaBow Prodigy
CODA-PRODIGY

CodaBow DIAMOND Prodigy Violin Bow (Full Size). The Prodigy model boasts exceptional performance for exceptional students. The dynamically balanced shaft offers off-string agility commonly reserved for high-performance bows while also providing the on-string forgiveness and comfort desired by young players. 

Features include:

  • Graphite Diamond Weave Finish
  • Blended Acoustic Core
  • Brown Tint
  • Traditional Frog Design made with XEBONY® High-Performance Composite
  • White Mother-of-Pearl Slide
  • Engraved "Coda" Eye Inlay
  • Nickel and Silver fittings
  • Moroccan Goat Skin Grip
  • Metal Alloy Tip Plate
  • Silver Medal Horse Hair
  • Traditional Hand-Cut Wood Wedges and Plugs
  • Individually Numbered
  • Limited 5-Year Warranty

see www.codabow.com for more information

Ary France 4/4 violin bow, pernambuco, regular
BOW1.1

Ary France violin bow, pernambuco, regular grade, fully lined ebony frog, silver mounted.

Carbon fiber 4/4 violin bow with wood finish
BOW1.91

Jay Haide brand, carbon fiber violin bow, wood finish, fully lined ebony frog, silver mounted.

JH 4/4 violin bow, pernambuco
BOW1.4

JH brand pernambuco violin bow. Excellent value bow; with fully lined ebony frog and nickel fittings.

Braided carbon fiber 4/4 violin bow
BOW1.9

Imported. Braided carbon fiber 4/4 violin bow, fully lined ebony frog, nickel mounted

Eric Steiner 4/4 violin bow
BOW1.6

Eric Steiner violin bow. From Germany, brazilwood stick. Half lined frog, nickel mounted

Brazilwood 4/4 violin bow
BOW1.5

Our most economical wood bow. An excellent value in a brazilwood bow.

Brazilwood 3/4 violin bow
BOW1.5T

Our most economical wood bow. An excellent value in a brazilwood bow.

Brazilwood 1/2 violin bow
BOW1.5H

Our most economical wood bow. An excellent value in a brazilwood bow.

Brazilwood 1/4 violin bow
BOW1.5Q

Our most economical wood bow. An excellent value in a brazilwood bow.

Brazilwood 1/8 violin bow
BOW1.5E

Our most economical wood bow. An excellent value in a brazilwood bow.

Eugene Sartory *SOLD*
18940

Sartory is arguably the greatest bowmaker of the 20th century. He began his training with Charles Peccatte, later working with Alfred Lamy, who greatly inspired his work.   Sartory set up on his own in 1889, already having established a reputation as an excellent maker among his peers. Even before World War I his reputation had grown so much that he hired several assistants, including Hermann Prell and Otto Hoyer. After the Great War he hired as assistants such fine archetiers as Jules Fetique, Louis Morizot, and Louis Gillet. By having such fine assistants, he was able produce bows to satisfy the ever growing demand for his work, always finishing and perfecting the bows personally. This viola bow is an excellent example of his work, and belonged to the longtime principal violist of the San Francisco Symphony and later the Takacs Quartet, Geraldine Walther. It draws a rich and colorful tone, and is exceptionally easy to handle, facilitating all the technical demands of a world-class violist. It is accompanied by a Raffin certificate.  
 

Eugene Sartory *SOLD*
22382

Generally considered the finest bow maker of the first half of the twentieth century, the works of Eugene Sartory are always in great demand. We are happy to offer this excellent Sartory viola bow which has superb playing qualities.

Charles Bazin *SOLD*
23341

Charles Bazin was the last member of the great Bazin bow making dynasty. Unlike the previous generation he worked primarily by himself preferring to work with individual clients rather than wholesalers and dealers. This unusually fine gold mounted viola bow is a classic example of his fine work and is facile, strong with a quick response.

Nicols Maline
23383

Nicolas Maline was one of the truly great French bow makers of the 19th century. He was the son and pupil of Guillaume. He then worked for Pajeot alongside Nicolas Maire before opening his own workshop. He supplied bows to J.B. Vuillaume starting in 1840 although he never worked in Paris, and he was actually the first to make bows with the Vuillaume style frog. Vuillaume greatly appreciated his work and many of the bows stamped Vuillaume Paris were actually made by Maline in Mirecourt. The stick of this viola bow is of snakewood.

Branded Caressa & Français *SOLD*
23502

This exceptional bow was made for Caressa & Français in Paris. The stick is the work of Claude Thomassin and the frog and button is by Jules Fetique. It is fully certified by Raffin.

Bernard Ouchard *SOLD*
21851

Bernard studied with his father, the great E.A.Ouchard and in 1949 went to Geneva, working for the next 21 years with Vidoudez. These bows are stamped VIDOUDEZ Geneva but are Ouchard’s exceptional work. In 1971 he returned to Mirecourt and taught bow making at the violin making school.

François Lotte
23354

After serving his apprenticeship with Cuniot-Hury, François worked in Geneva with Vidoudez before joining Emile F. Ouchard’s workshop. He set up on his own in 1926, retiring in 1960.  This bow is accompanied by a Le Canu certificate.

Louis Morizot
23340

The Morizot workshop was founded by Louis Morizot (père) in 1926 and continued on by his six sons. This Morizot viola bow has a strong lively stick producing a great sound.

Otto Hoyer *SOLD*
22832

Otto Hoyer worked in Paris with Eugene Sartory between 1911 and 1913 and used the “ Otto Hoyer Pariser” stamp on his finest bows as with this exceptional viola bow.  Before going to Paris Otto Hoyer worked with his father Ernst August Hoyer. The frog has a “see-through” lens (known as a Stanhope lens) with an image of the maker inside. This viola bow is a superb example of this master’s best work and has excellent playing qualities, quick, responsive and relatively light.

Roger Lotte
19629

Roger studied with his father, Francois Lotte, and was his assistant from about 1940. He was one of the last of the old guard of French bowmaking, quickly fashioning good playing bows. As a prolific maker, he also supplied bows to notable dealers of his generation, including R&M Millant, Vatelot, and Hilaire. This bow is typical of his work-: Strong, clear, and reliable.

Roger Lotte
23436

Roger François Lott studied with his father François. His Mirecourt workshop produced high quality bows both under his own name and also for important Parisian makers and dealers such as R.& M. Millant and E.Vatelot.