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Ifshin Rare & Fine Instruments

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Roger Lotte
23436

Roger François Lott studied with his father François. His Mirecourt workshop produced high quality bows both under his own name and also for important Parisian makers and dealers such as R.& M. Millant and E.Vatelot.

Branded Caressa & Français *SOLD*
23502

This exceptional bow was made for Caressa & Français in Paris. The stick is the work of Claude Thomassin and the frog and button is by Jules Fetique. It is fully certified by Raffin.

Nicols Maline
23383

Nicolas Maline was one of the truly great French bow makers of the 19th century. He was the son and pupil of Guillaume. He then worked for Pajeot alongside Nicolas Maire before opening his own workshop. He supplied bows to J.B. Vuillaume starting in 1840 although he never worked in Paris, and he was actually the first to make bows with the Vuillaume style frog. Vuillaume greatly appreciated his work and many of the bows stamped Vuillaume Paris were actually made by Maline in Mirecourt. The stick of this viola bow is of snakewood.

Frank J. Callier
23392

Originally from Perryville Missouri, Frank Callier moved to St Louis at age 17 where he began studying violin making. After working in San Antonio, TX, he settled in Hollywood in 1928 where he set up his own violin and bow making shop. He was by far the most important bow maker in Los Angeles and won a number of medals and awards for his fine bows.

Thomas Dignan
23384

Tom Dignan started his career working for Bein & Fushi in 1979. He opened his own workshop in Boston in 1983. Since then he has won 17 awards for his bows, including two gold medals from the Violin Society of America. His bows are owned by professional musicians all over the world.

James Reynold Carlisle
23422

Carlisle made his first violin in 1910 and by 1914 he was associated with Rudolf Wurlitzer in Cincinnati. In the first part of the 20th century, Wurlitzer was one of the largest musical instrument dealers in the world with several locations around the country and were one of the most important violin dealers in the U.S.  Carlisle made a number of fine violins for them over many years. This is an especially nice example of his work.

Auguste Delivet
23438

Like so many French makers, Delivet apprenticed in Mirecourt. After working there with Victor Rambaux, he moved to Paris working with H.C.Silvestre. He opened his own shop in Paris in 1892. His work was highly regarded and he won numerous gold medals in major exhibitions. In 1918 he emigrated to Canada working in Toronto and Montreal. This violin has a nice brilliant and responsive tone.

Nicolas Maline
23617

Excellent playing French bow, pictured in the book "L'archet" by Bernard Millant Vol. 2, pg. 290, bow #14.    

In the history of bow making, French makers of the early to mid 19th century are generally considered the finest and most important. Among these, Nicolas Maline is considered  among the most important. The son of Guillaume, Nicolas studied violin making with his father, but unlike his brothers, he always had a preference for bow making. He worked with Pajeot alongside Nicolas Maire. By 1840 he was making bows for J.B.Vuillaume. In fact Maline helped develop the “Vuillaume Style” frog and continued to make bows for Vuillaume for most of his career. His work was especially appreciated by Vuillaume and it seems that Maline was his favorite maker. In spite of all of his success and recognition, he never worked in Paris, preferring to stay in Mirecourt. This exceptional bow is a fine example of this master’s work.

Etienne Pajeot
23549

Etienne Pajeot is considered one of the most important and respected bow makers of the 19th Century even though he never left Mirecourt for Paris. He was trained by his father Louis Simon and started making bows on his own around 1815. This unusually fine bow is a fine example of Pajeot’s work and has a gold mounted ivory frog with a distinctive button with pearl facets. It is certified by Issac Salchow of New York.

Klotz Family 15 ½” *SOLD*
23343

One of the most important dynasties of German violin making was the Klotz family of Markneukirchen. Matthias I was born in Markneukirchen in 1653 and was the first maker of the family with the family tradition continuing well into the 20th. century. This viola dates from the 18th century and is of the classic Klotz family style. It has an outstanding tone and is of a very comfortable size.

Michael Scoggins 16 ⅞"
23437

Born in England, Michael Scoggins started playing the violin at the age of eight. He studied violin performance in college. After emigrating to America, he studied violin making at the Salt Lake school graduating in 1982. He worked for Peter Prier managing his shop until 1984. He then set up his own workshop in Salt Lake. This viola has a wonderful, powerful tone. The back is of poplar which he frequently used.

Gand & Bernardel Frères
19603

The firm of Gand & Bernardel Frères was formed by Charles Nicolas Gand and Ernest Bernardel in 1866 and became one of the most important violin firms in the World. This beautiful violin is a fine example of their work and has a brilliant, direct tone quality.

Louis Morizot *SOLD*
23324

This beautiful bow is an unusually fine example of Morizot’s work and is of the highest level of quality coming from the Morizot workshop. Louis Morizot actually worked with Sartory in Paris for some time. Included is a certificate of authenticity from Paul Childs.

Isabelle Tabakov & Stephen Lohmann, 16 ⅛ *SOLD*
17821

Steve Lohmann studied at the Cremona violin making school and returned to San Francisco, where he worked with Frank Passa then with Boyd Poulsen in San Mateo and Carl Applebaum in Olympia, Washington. He set up his own workshop in Sacramento in 1992. This is an excellent example of Steve’s early work.

Hidalgo Moya
23269

After training in Mirecourt, Hidalgo Moya established his workshop in Aylestone, England in 1890. His work has always been highly regarded for his fine craftsmanship and tone qualities.

Maurizio Tadioli
23351

Born in 1967, Maurizio worked with his grandfather Carlo Pizzamaglio then graduated from The Cremona School of Violin Making in 1985. He has gone on to win many awards and medals at international competitions. This is an interesting example of his early work and has a certificate from Chris Reuning.

Andrus Faruolo
23308

Andrus Faruolo descends from a family of instrument makers in Italy. His work is well known on the East Coast, For many years he was the Luthier in residence at the Meadowmount School of Music in New York, with letters of recognition from faculty members like Josef Gingold.