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Ifshin Rare & Fine Instruments

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Gerald Kagan *SOLD*
23652

For 39 years Gerald Kagan was the assistant principal cellist of the Metropolitan Opera Orchestra. He was also well known as a bow maker as well as a creator and designer of fine jewelry. This elegant cello bow is typical of the high degree of craftsmanship he had become well known for. The unusual slide is of pearl and engraved gold.

Bernard Ouchard, branded Vidoudez
23668

Bernard Ouchard was an important figure in the history of 20th century French bow making. He studied with his father, the great Emile Auguste, After service in the French military, he moved to Geneva as the bow maker for Vidoudez where he stayed for over 20 years. In 1971 he returned to his native France where he was the professor of bow making at the Mirecourt School of Lutherie. He taught many of the best French bow makers of the last 50 years. We’ve recently been very fortunate to have had several bows by this important maker.

Roger Lotte *SOLD*
23707

Roger François Lotte studied with his father François, taking over his father’s workshop around 1960. He was very successful, supplying bows to dealers all over the world. This bow is  unstamped,  has a replacement frog, and is priced affordably.

Morgan Andersen
23767

After winning a number of gold medals in International bow making competitions, Morgan Andersen has become one of the most important bow makers of his generation.

Read the article on Morgan Andersen here.

Morgan Andersen
23707

After winning a number of gold medals in International bow making competitions, Morgan Andersen has become one of the most important bow makers of his generation.

Read the article on Morgan Andersen here.

Morgan Andersen
23685

After winning a number of gold medals in International bow making competitions, Morgan Andersen has become one of the most important bow makers of his generation.

Read the article on Morgan Andersen here.

Richard Weichold *SOLD*
23673

A beautiful Weichold bow with an exotic wood frog and a distinctive three piece button.

Johannes Paulus
23703

Otto Paulus and his son Johannes worked together for many years, taking over the Schuster workshop in the 1950’s.  The Paulus family of bow makers is today in its fourth generation, still making excellent bows in Markneukirchen.

G.A.Pfretzschner labeled Carlo Micelli "Master Art" *SOLD*
23654

At the beginning of the 20th. century, some especially fine violins were made in Germany, especially in Markneukirchen. Many of these were often referred to as “Art Violins” because of their beauty and quality. The violins labeled “Carlo Micelli” were sought after, especially in this country. The label of this violin is hand inscribed “Master Art” indicating that it is of exceptional quality. Tonally, this violin is truly exceptional, offering a lot of violin for the money.

G.A.Pfretzschner labeled Paolo Fiorini
23622

Violins labeled “Paolo Fiorini” were of high quality generally from the 1920’s, made in Markneukirchen. These “Art Violins” were among the best being made in Germany at that time. In fact, ads from the U.S. distributers sometimes claimed them to have been made in Italy.

K.A.Gutter *SOLD*
19974

Kurt Arno Gutter studied with O.B.Heinel in Markneukirchen, then worked in Berlin with Glaesel and back in Markneukirchen with H.T.Heberlein before opening his own workshop a

Florian Schneidt
23770

Born in Munich, Florian studied viola performance and played in orchestras in the Netherlands. He studied bow making in the UK with several master makers. He has since moved to Boston where he continues to work with several important makers.

Victor Fetique *SOLD*
23847

Victor Fetique was an exceptionally talented bowmaker, and winner of the coveted prize, “One of the Best Crafsmen of France”.  Originally from Mirecourt, he apprenticed with the Husson family and Charles Nicolas Bazin, before working with the newly opened Parisian firm, Caressa & Francais, in 1901.  While there he worked side by side with another great archetier, Claude Thomassin.  By 1913 he set up his own shop and before long started supplying large numbers of bows to the musical community of Paris, and beyond.  

His best work was made personally, with the assistance of great makers such as his younger brother, Jules Fetique.  He trained or hired bowmakers such as his son, Marcel Fetique, Paul Weidhaas, Louis Morizot Sr., and Andre Richaume, among others.   Because of his dependable quality, his bows are in high demand by top level musicians.  

His bows are characterized by their unwavering strength and flexibility, at once clear in tone and rich with color.  They are consistently easy to play, handling the versatile technical demands of concert musicians. We are delighted to have an unusually large selection of his bows, some of which are in mint condition with the original wrapping.  They exemplify all the playing qualities that have given Victor Fetique his great reputation.   

Vigneron Père *SOLD*
23289

A prolific maker of superb quality bows, Vigneron apprenticed with Claude Nicolas Husson before working with Jean Joseph Martin. This early training from some of the finest archetiers in France helped propel his career. From about 1880 he worked for the important firm, Gand & Bernardel Frers, further developing his career. He set up on his own around 1888. This cello bow is an exceptional example of his work. It perfectly matches both strength and agility.

Natale Carletti
23821

Although born into a family of violin makers, Natale Carletti was initially a cellist who studied at the Bologna Conservatory. He started working with his father Carlo in 1918 and continued in his workshop along with his brother Nullo, taking over in 1941 upon Carlo’s death. Natale specialized in cellos making over 200 during his sixty year career. This wonderful cello is a real joy to play. The tone is responsive and powerful with an intriguing brilliance. This would be wonderful cello for a top professional.

Stanley Keith *SOLD*
23692

Around 1925, Stanley Keith started out on his own in Rochester NY primarily doing repairs before moving to Fresno in the early 1950’s. He was highly respected for the quality of his workmanship.

Jay Haide 101 Model
101CEL

Jay Haide, Model 101. These fully handmade cellos represent an excellent value for a promising student. We usually have a good selection of these cellos.

All Jay Haide cellos are hand-made of quality seasoned maple and spruce and have a tone quality and workmanship normally found in instruments costing much more. 

See www.jayhaide.com for further information on our Jay Haide instruments.

Descriptions and pricing in our article on Jay Haide instruments

Jay Haide 104 Model
104VLN

This violins are a great choice for the intermediate student. The Model 104 would also be a good choice for a "second" or "picnic" violin for the more advanced player. For the advancing musician, the model 104 was created using beautifully flamed aged maple and an attractively shaded golden orange varnish of a softer texture. The tone is full and warm.

For more information about Jay Haide instruments see www.jayhaide.com

Descriptions and pricing in our article on Jay Haide instruments