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Nürnberger *SOLD*

sku Product SKU:  20948

The Nürnberger family worked in close concert with each other to fashion some of the finest bows in Germany. They maintained a high level of artistry over the course of their prolific oeuvre, frequently working on Tourte model bows. With luthiers in the family dating back to the early 18th century, the Nürnbergers flourished as bow makers beginning in the late 19th century, and are now widely recognized as the standard bearers of German bow making.

In 1890, Albert Nürnberger Jr. (b. 1854-d.1933) started branding the workshop's bows in order to make a name for the family. The workshop had already been producing fine bows for several decades, but had usually supplied bows to other shops anonymously. By signing their works, the family built up their business and established their reputation. The earliest stamp, in a font sans serif, was later changed to a font with serifs in 1910 before ultimately settling on the most widely used stamp, *ALBERT NÜRNBERGER*, in 1920.

With the stamp in use, the family expanded the business, winning a gold prize in Berlin, 1906, and silver prize in Leipzig, 1910. Their remarkable ability to quickly produce fine bows is due in part to the assistance of Nürnberger Jr.'s sons, Phillip Paul Nürnberger (b. 1882-d. 1946), and the renowned Carl Albert Nürnberger (b. 1885-d.1971), who worked with their meticulous father. They also trained some of Germany's best bow makers, including August Rao. With several excellent bowmakers working together, they were able to supply such demanding dealers as Hammig and Weichold, as well as the thriving market in the United States. After Carl Albert Nürnberger took over the shop, many of the world's greatest concert artists, including David Oistrakh, owned and regularly performed on a Nürnberger.

We currently have several examples from the Nürnberger family, dating back to 1910. These classic examples have all the features that made their bows so popular for much of the 20th century; the workmanship is near perfect, the balance superb and the tone rich. These bows are ideal for musicians of any level, and collectors who appreciate the highest level of German bow making.

USD 0.0000

Jay Haide 104 Model
104VLA

All Jay Haide violas are hand-made of quality seasoned maple and spruce and have a tone quality and workmanship normally found in instruments costing much more. The Model 104 would be an excellent choice for the intermediate player. The 104 model is available in a Strad model. Sizes range from 15"-16.5"

For more information about Jay Haide instruments see www.jayhaide.com

Descriptions and pricing in our article on Jay Haide instruments

Jay Haide 101 Model
101VLA

All Jay Haide violas are hand-made of quality seasoned maple and spruce and have a tone quality and workmanship normally found in instruments costing much more. The Model 101 would be an excellent choice for students or as a second instrument for more advanced players. The 101 is available in a Strad model. Sizes range from 15"-16.5"

For more information about Jay Haide instruments see www.jayhaide.com

Descriptions and pricing in our article on Jay Haide instruments

Jay Haide l'ancienne Statue Model with European Wood
303SVLN

This special model represents an excellent alternative to our regular European wood violins. The European wood used for this model was chosen for its tonal qualities and is offered at an ideal price point. These violins project with rich warmth and great power. Jay Haide Statue Model violins are available in Stradivari, Guarneri, Guadagnini and Balestrieri models.

See www.jayhaide.com for further information on our Jay Haide instruments.

Descriptions and pricing in our article on Jay Haide instruments

 

 

Giancarlo Stanzani
16995

Giancarlo began violin making at a very early age and studied with Enrico Piretti. He won awards for his cellos at a major competition in Ascoli Piceno. This cello has a wam tone with depth and maturity.

LaPierre
20397

Lapierre began his training at the Thibouville-Lamy firm as a young teenager before working with Francois Lotte, Louis Bazin and the brothers Morizot, among others. By 1948 he established his own shop in his native Mirecourt. This bow is in excellent condition and pulls a smooth, colorful tone.

Franck Daguin
8363

Franck Daguin studied and worked with Jean-Frederic Schmitt for ten years and then with luthier Daniel Scaffi before settling in Lyon, France. Daguin has won prizes at the spéciale Paris in 1991, the Grand Prix des Métiers d'Art Lyon in 1992 and the spéciale Paris in 2004. For years, Jay Ifshin has visited Franck at his workshop in Lyon, France and always looks forward to seeing his fine new bows as well as his restorations of great old master bows.

Lorenzo Rossi
12801

Rossi graduated from the Parma school headed by Scrollevezza and has also studied with Greg Alf, Guy Rabut and Carlos Arcieri in New York before opening his own workshop. We have just received this violin and were immediately impressed with the beauty and elegance of the workmanship as well as the tone.

Robert Morrow *SOLD*
20624

One of the top American bowmakers today, Robert Morrow has also been a respected judge at bowmaking competitions, including the VSA. He trained with Charles Espey before setting up on his own in Port Townsend, WA. In 2008 he received the title "hors concours" at the VSA for his numerous gold medals. His work is always as elegant as it is functional, and this bow is no exception. Strong and vibrant, it is capable of drawing a huge tone from the instrument.

Andre Chardon *SOLD*
20711

In addition to being a talented bowmaker, Andre Chardon was also a renowned violin repairman and successful businessman. He headed the family company, Chanot-Chardon, selling fine quality bows and instruments. Grandson of the great violin maker Georges Chanot, Chardon began training as a luthier with his father at the age of 15, shifting to bow making after World War I. Because the family firm occupied much of his time, he was not as prolific as many of his peers, though the quality of his production was quite high. Part of his success as a bowmaker rests upon his grandfather's collection of first rate pernambuco. This bow is strong and lively, and is accompanied by a Raffin certificate.

Marcel Lapierre
20715

Lapierre began his training at the Thibouville-Lamy firm as a young teenager before working with Francois Lotte, Louis Bazin and the brothers Morizot, among others. By 1948 he established his own shop in his native Mirecourt. This bow is in excellent condition and was made in 1954.

W.E. Hill & Sons- William Retford Jr. *SOLD*
20113

For over 100 years, W.E. Hill & Sons was synonymous with superb quality. Between the World Wars, the Hill shop ramped up production and made thousands of excellent bows, solidifying their reputation as the standard bearers of English bowmaking. Fritz Kreisler regularly performed on Hill bows, including his famed recordings. One of the bowmakers, William Retford Jr., was trained by his father, one of the finest craftsmen at the workshop. Retford Jr. was with the Hills from 1919-1960, producing bows of superb quality during his tenure. This gold mounted bow, brought to the sales floor in 1938, is beautifully crafted and possesses all the qualities that gave the Hills such a fine reputation. 

Louis Morizot, branded A. Marissal A Lille *SOLD*
18143

For over 100 years, W.E. Hill & Sons was synonymous with superb quality. Between the World Wars, the Hill shop ramped up production and made thousands of excellent bows, solidifying their reputation as the standard bearers of English bowmaking. Fritz Kreisler regularly performed on Hill bows, including his famed recordings. One of the bowmakers, William Retford Jr., was trained by his father, one of the finest craftsmen at the workshop. Retford Jr. was with the Hills from 1919-1960, producing bows of superb quality during his tenure. This gold mounted bow, brought to the sales floor in 1938, is beautifully crafted and possesses all the qualities that gave the Hills such a fine reputation. 

Nürnberger *SOLD*
20948

The Nürnberger family worked in close concert with each other to fashion some of the finest bows in Germany. They maintained a high level of artistry over the course of their prolific oeuvre, frequently working on Tourte model bows. With luthiers in the family dating back to the early 18th century, the Nürnbergers flourished as bow makers beginning in the late 19th century, and are now widely recognized as the standard bearers of German bow making.

In 1890, Albert Nürnberger Jr. (b. 1854-d.1933) started branding the workshop's bows in order to make a name for the family. The workshop had already been producing fine bows for several decades, but had usually supplied bows to other shops anonymously. By signing their works, the family built up their business and established their reputation. The earliest stamp, in a font sans serif, was later changed to a font with serifs in 1910 before ultimately settling on the most widely used stamp, *ALBERT NÜRNBERGER*, in 1920.

With the stamp in use, the family expanded the business, winning a gold prize in Berlin, 1906, and silver prize in Leipzig, 1910. Their remarkable ability to quickly produce fine bows is due in part to the assistance of Nürnberger Jr.'s sons, Phillip Paul Nürnberger (b. 1882-d. 1946), and the renowned Carl Albert Nürnberger (b. 1885-d.1971), who worked with their meticulous father. They also trained some of Germany's best bow makers, including August Rao. With several excellent bowmakers working together, they were able to supply such demanding dealers as Hammig and Weichold, as well as the thriving market in the United States. After Carl Albert Nürnberger took over the shop, many of the world's greatest concert artists, including David Oistrakh, owned and regularly performed on a Nürnberger.

We currently have several examples from the Nürnberger family, dating back to 1910. These classic examples have all the features that made their bows so popular for much of the 20th century; the workmanship is near perfect, the balance superb and the tone rich. These bows are ideal for musicians of any level, and collectors who appreciate the highest level of German bow making.

David Russell Young
17721

Young turned to bowmaking in the early 1980s on the heels of a wildly successful career as a guitar luthier. Once in the world of bows, he won prizes throughout the 1980s and 1990s in competitions including the VSA, AFVBM, and Mittenwald. This bow is very lively and quite strong.

Branded Chevrier
20860

This 19th century French violin is built on a large model and has a robust tone.