Ifshin Violins
Rare & Fine Instruments

The Ifshin Collection of Fine Bows

Over the years, Jay Ifshin has acquired many fine bows from the most skilled contemporary makers and has kept some of the best for his personal collection. He has recently put several particularly nice bows from his collection on sale. This in addition to an already spectacular selection of fine bows makes now an excellent time to upgrade your bow!

A.Lamy á Paris

A.Lamy á Paris

One of the premiere figures in Parisian bow making of the late 19th and early 20th  centuries, Lamy studied with Husson and Voirin before setting up his own shop in Paris in 1885. His work was in such demand that he never had to make bows for others like most other makers of the time. This bow is an exceptional example by this master and is in excellent condition.

Victor Fetique

Victor Fetique

Paris. Several examples. Fetique 19040 Victor Fetique was an exceptionally talented bowmaker, and winner of the coveted prize, "One of the Best Crafsmen of France." Originally from Mirecourt, he apprenticed with the Husson family and Charles Nicolas Bazin, before working with the newly opened Parisian firm, Caressa & Francais, in 1901. While there he worked side by side with another great archetier, Claude Thomassin. By 1913 he set up his own shop and before long started supplying large numbers of bows to the musical community of Paris, and beyond. His best work was made personally, with the assistance of great makers such as his younger brother, Jules Fetique. He trained or hired bowmakers such as his son, Marcel Fetique, Paul Weidhaas, Louis Morizot Sr., and Andre Richaume, among others. Because of his dependable quality, his bows are in high demand by top level musicians. His bows are characterized by their unwavering strength and flexibility, at once clear in tone and rich with color. They are consistently easy to play, handling the versatile technical demands of concert musicians. We are delighted to have 2 of his bows right now, both of which are accompanied by a Raffin certificates. They exemplify all the playing qualities that have given Victor Fetique his great reputation.

P. Simon

P. Simon

Brazilwood stick, nickel mounted.

Stamped Gand and Bernardel frères - Possibly Claude Thomassin

Stamped Gand and Bernardel frères - Possibly Claude Thomassin

Paris. A well respected expert, Charles Nicholas Eugène Gand had royal appointments to the courts of Belgium and Spain, and oversaw the manufacturing and sales of excellent bows and instruments. Eugène Gand established Gand & Bernardel frères in 1866, after his brother, Charles Adolph Gand passed away. They continued producing fine instruments and bows, contracting with many of the finest bowmakers in France, including Justin Poirson, Arthur Vigneron, and Claude and Louis Thomassin. Thomassin's distinctive style during the late 19th century was heavily influenced by his first master, C.N. Bazin. This bow is perfectly balanced, producing a rich, "old tone" on any cello.

John Dodd

London. Frog by W.E. Hill & Sons

W.E. Hill & Sons

W.E. Hill & Sons

Edgar Bishop & Arthur Copley.
For over 100 years, W.E. Hill & Sons was synonymous with superb quality. Between the World Wars, the Hill shop ramped up production and made thousands of excellent bows, solidifying their reputation as the standard bearers of English bowmaking. They had several fine craftsmen working in assembly, wherein one maker would frequently make the frog, and another, the stick. This bow is no exception. Brought to the Hill sales room in 1947, the bow was likely made before the start of World War II as a collaboration. Edgar Bishop, one of the best archetiers in the workshop, made the stick, while Arthur Copley made the frog. By dividing the labor in this manner, the Hill's could ensure rapid production while maintaining the highest quality. This bow is consistent with the unrivaled standards set by the shop: It is strong and easy to play with a clear and robust tone, all the while being visually attractive. It is a classic example of the inter-war period in very good condition

Guillaume á Bruxelles

Gold mounted

Roger Lotte

Mirecourt, gold/ebony

W.D. Watson

London, gold and ebony mounted

Morgan Andersen

Morgan Andersen

Available in gold/ebony and silver/ebonyCheck out this article on Morgan Andersen

John Friedrich & Bros.

John Friedrich & Bros.

New York. This firm opened up in New York in 1883, a business partnership between John and William Friedrich. Originally from Germany, John Friedrich worked with several prominent German firms, including Hammig, in Leipzig. The Friedrich brothers won several prizes for their instruments in the United States, including Chicago, 1893, St. Louis, 1904, and Philadelphia, 1926. Many of their bows were imported from the finest craftsmen in Germany, including this bow.

John Aniano

John Aniano

Beginning on his own in 1978, Aniano continued studying bowmaking with William Salchow in the early 1980’s. Since 2002 he has worked with the renowned Yung Chin, whom Aniano considers his principal teacher and mentor. He won prizes at the VSA, including gold medal for a cello bow in 2006 and a viola bow in 2010. This bow is his personal model, inspired by Pajeot. The stick is strong and has spring, pulling a focused sound from the instrument.

J.S. Finkel

J.S. Finkel

Gold mounted. The son of Siegfried Finkel, and grandson of the renowned Paul Weidhaas, Johannes Finkel is a 4th generation bowmaker, highly regarded in his own right. His credentials include apprenticeships and employment with Siegfried Finkel, J.A. Beare in London, Hans Weishaar in Los Angeles, and Moennig in Philadelphia. Since 1984 Finkel has run the family's workshop in Switzerland. His bows are of consistent quality following the rich tradition of his family. In excellent condition, this bow is responsive and powerful- an excellent value for a gold bow.

Emmanuel Bégin

 Emmanuel Bégin

Montreal

Emmanuel Bégin

Emmanuel Bégin

Montreal. The young Emmanuel Bégin first studied with his father, the bowmaker, Louis Bégin. He also studied with Yannick Le Canu before setting up on his own in Montréal. He has won several prizes for his bows, most recently winning gold medal for his violin bow in 2014 at the Violin Society of America competition, and winning unanimous gold in 2016 for his violin, viola, and cello bows. His cello bows are a testament to his free and elegant sculpting. The bows are artfully nuanced, articulating each note with precision and clarity.

Morgan Andersen

Morgan Andersen

Silver and ebony mounted, multiple examples

P. Testa á Paris

P. Testa á Paris

(gold/ebony)

Thomas Dignan

Boston

Guillaume á Bruxelles

Guillaume á Bruxelles

Brussels, silver mounted

Franck Daguin

Lyon, France. Franck Daguin studied and worked with Jean-Frederic Schmitt for ten years and then with luthier Daniel Scaffi before settling in Lyon, France. Daguin has won prizes at the spéciale Paris in 1991, the Grand Prix des Métiers d'Art Lyon in 1992 and the spéciale Paris in 2004. For years, Jay Ifshin has visited Franck at his workshop in Lyon, France and always looks forward to seeing his fine new bows as well as his restorations of great old master bows.

Louis Bazin

Louis Bazin

nickel mounted

Louis Simon á Paris

Louis Simon á Paris

H.R. Pfretzscher

Jacques Poullot

Several examples. Read here for more information about Jacques Poullot.

Monique Poullot

Several examples. Read here for more information about Monique Poullot.

J.P. Bernard-Bruxelles

J.P. Bernard-Bruxelles

Sebastian Dirr

Several examples

W. Ernst

Several examples

J.P. Gabriel

Lothar Seifert

Cello Bows Below $1,000

Jay Haide, J.H., Emile Richaud, John Brasil, Ary France, Erich Steiner, Conrad Götz, Alfred Knoll, V. Schaeffer.

Read more about our affordable cello bows under $1000

Carbon Fiber Bows